{"id":3607,"date":"2015-10-15T00:34:19","date_gmt":"2015-10-14T23:34:19","guid":{"rendered":"http:\/\/pasdedieux.com\/test_site\/fr\/?post_type=portfolio&p=3607"},"modified":"2016-07-20T17:33:23","modified_gmt":"2016-07-20T15:33:23","slug":"thomas-leabhart-o","status":"publish","type":"portfolio","link":"https:\/\/pasdedieux.com\/fr\/portfolio\/thomas-leabhart-o\/","title":{"rendered":"Thomas Leabhart-o"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text][\/vc_column][\/vc_row][vc_row section_mode=\u201dnormal\u201d bgposition=\u201dtop_left\u201d bgrepeat=\u201dno-repeat\u201d bgattachment=\u201dscroll\u201d padding=\u201dsmall-padding\u201d shadow=\u201dshadow-off\u201d][vc_column width=\u201d1\/1\u2033][vc_row_inner][vc_column_inner width=\u201d2\/3\u2033][az_special_heading heading_type=\u201d1\u2033 heading_style=\u201ddefault\u201d heading_align=\u201dtextalignleft\u201d padding_bottom_heading=\u201d0\u2033 animation_loading=\u201dno\u201d animation_loading_effects=\u201dfade_in\u201d]Thomas Leabhart[\/az_special_heading][vc_column_text animation_loading=\u201dno\u201d animation_loading_effects=\u201dfade_in\u201d]<\/p>\n

[az_dropcap mode=\u201ddropcap-color\u201d]E[\/az_dropcap]l\u00e8ve d\u2019Etienne Decroux de 1968 \u00e0 1972, Thomas Leabhart est professeur de th\u00e9\u00e2tre et artiste en r\u00e9sidence au Pomona College, en Californie. Membre de l\u2019\u00e9quipe artistique de l\u2019ISTA (International School of Theater Anthropology), il enseigne et se produit r\u00e9guli\u00e8rement en France. \u00a0Il a jou\u00e9 et dirig\u00e9 des ateliers de mime au Mus\u00e9e du Design de Zurich, au Mus\u00e9e du th\u00e9\u00e2tre autrichien \u00e0 Vienne, au Mus\u00e9e National de l\u2019Ethnologie \u00e0 Osaka, au Centre Am\u00e9ricain \u00e0 Montevideo, au Movement Theater International \u00e0 Philadelphie, entre autres. Thomas Leabhart est r\u00e9dacteur en chef du Mime Journal, et auteur de Modern and Post Modern Mime (Macmillan \u00e0 Londres et St. Martin\u2019s Press, New-York, 1989) et Etienne Decroux, Routledge Performance Practitioners (Routledge Press 2007).<\/p>\n

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LE MIME CORPOREL D\u2019ETIENNE DECROUX<\/b><\/p>\n

Elabor\u00e9 par Etienne Decroux, le Mime Corporel trouve ses racines dans certaines recherches th\u00e9\u00e2trales du 20\u00e8me si\u00e8cle (Appia, Craig, Copeau). Son objectif est de placer le drame \u00e0 l\u2019int\u00e9rieur du corps en mouvement plut\u00f4t que de substituer la parole au geste, comme dans la pantomime ancienne.\u00a0A la fois sculpteur et sculpture, le mime doit appliquer \u00e0 son mouvement des principes qui sont \u00e0 l\u2019origine du drame : l\u2019attente, l\u2019h\u00e9sitation, le poids, la r\u00e9sistance et la surprise.<\/p>\n

\u00a0<\/b><\/p>\n

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Programme de Stage<\/h3>\n

\u2022 \u201cExercices de dos\u201d
\n\u2022 Mime Corporel Technique: gamme, contrepoids, dynamo-rythme, figures de style, les marches
\n\u2022 Improvisations
\n\u2022 Nouvelles Cr\u00e9ations
\n\u2022 L\u2019Heure du th\u00e9: Contes et M\u00e9taphores<\/p>\n

\u00a0<\/p>\n

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PROCHAIN STAGE DE MIME CORPOREL:<\/strong><\/p>\n

\u00ab\u00a0L\u2019immobilit\u00e9 mobile \u2013 un acte de passion\u00a0\u00bb<\/span><\/em><\/p>\n

PARIS,
\nDU 4 AU 14 JANVIER, 2016<\/strong><\/span><\/p>\n

Du lundi 4 au samedi 9 et
\ndu lundi 11 au jeudi 14<\/p>\n

De 9h \u00e0 13h
\nTotal\u00a0: 40h \/ 330 \u20ac<\/p>\n

Intermittents du spectacle, nous contacter pour les informations de prise en charge individuelle par l\u2019AFDAS.<\/p>\n

Lieu\u00a0:<\/p>\n

Micadanses<\/strong>
\n15 rue Geoffroy L\u2019Asnier, Studio May B, 75014 Paris
\nMetro, Saint Paul (ligne 1) ou Pont Marie (ligne 7)<\/p>\n

[az_button_sh inverted=\u201dtrue\u201d target=\u201d_self\u201d buttonsize=\u201dbutton-medium\u201d buttonlabel=\u201dR\u00e9servation en Ligne\u201d buttonlink=\u201dhttps:\/\/pasdedieux.com\/fr\/thomas-leabhart-jan-2016\/\u201d class=\u201d\u201d icons=\u201dfont-icon-text-2\u2033]<\/p>\n

POUR PLUS D\u2019INFO:<\/strong><\/p>\n

Par t\u00e9l\u00e9phone\u00a0: Won KIM
\n+33 (0) 6 71 61 93 94<\/p>\n

Par mail\u00a0: Leela ALANIZ
\nleela(at)pasdedieux.com<\/p>\n

\u00a0<\/p>\n

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Workshop\u201d][az_lightbox_image image=\u201d1291\u2033 imgmode=\u201dresponsiveimg\u201d animation_loading=\u201dyes\u201d animation_loading_effects=\u201dmove_up\u201d title=\u201dThomas Leabhart Workshop\u201d gallery_name=\u201dThomas Leabhart Workshop\u201d][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text][\/vc_column][\/vc_row][vc_row section_mode=\u201dnormal\u201d bgposition=\u201dtop_left\u201d bgrepeat=\u201dno-repeat\u201d bgattachment=\u201dscroll\u201d padding=\u201dsmall-padding\u201d shadow=\u201dshadow-off\u201d][vc_column width=\u201d1\/1\u2033][vc_row_inner][vc_column_inner width=\u201d2\/3\u2033][az_special_heading heading_type=\u201d1\u2033 heading_style=\u201ddefault\u201d heading_align=\u201dtextalignleft\u201d padding_bottom_heading=\u201d0\u2033 animation_loading=\u201dno\u201d animation_loading_effects=\u201dfade_in\u201d]Thomas Leabhart[\/az_special_heading][vc_column_text animation_loading=\u201dno\u201d animation_loading_effects=\u201dfade_in\u201d] [az_dropcap mode=\u201ddropcap-color\u201d]E[\/az_dropcap]l\u00e8ve d\u2019Etienne Decroux de 1968 \u00e0 1972, Thomas Leabhart est professeur de th\u00e9\u00e2tre et artiste en r\u00e9sidence au Pomona College, en Californie. Membre de l\u2019\u00e9quipe artistique de l\u2019ISTA (International School of Theater Anthropology), il enseigne et se produit r\u00e9guli\u00e8rement en France. \u00a0Il a jou\u00e9 et dirig\u00e9 des ateliers de mime au Mus\u00e9e du Design de Zurich, au Mus\u00e9e du th\u00e9\u00e2tre autrichien \u00e0 Vienne, au Mus\u00e9e National de l\u2019Ethnologie \u00e0 Osaka, au Centre Am\u00e9ricain \u00e0 Montevideo, au Movement Theater International \u00e0 Philadelphie, entre autres. Thomas Leabhart est r\u00e9dacteur en chef du Mime […]<\/p>\n","protected":false},"author":2,"featured_media":6572,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"portfolio_category":[],"portfolio_tag":[],"class_list":["post-3607","portfolio","type-portfolio","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/pasdedieux.com\/fr\/wp-json\/wp\/v2\/portfolio\/3607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pasdedieux.com\/fr\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/pasdedieux.com\/fr\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/pasdedieux.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":2,"href":"https:\/\/pasdedieux.com\/fr\/wp-json\/wp\/v2\/portfolio\/3607\/revisions"}],"predecessor-version":[{"id":6555,"href":"https:\/\/pasdedieux.com\/fr\/wp-json\/wp\/v2\/portfolio\/3607\/revisions\/6555"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pasdedieux.com\/fr\/wp-json\/wp\/v2\/media\/6572"}],"wp:attachment":[{"href":"https:\/\/pasdedieux.com\/fr\/wp-json\/wp\/v2\/media?parent=3607"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/pasdedieux.com\/fr\/wp-json\/wp\/v2\/portfolio_category?post=3607"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/pasdedieux.com\/fr\/wp-json\/wp\/v2\/portfolio_tag?post=3607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}